Sunday, 31 July 2011

Time to create -the sequel!

Looking back at my previous post, 'Time to create!', I'm delighted to realise that I managed to fulfil all of the elements I posted as potential areas of work - and in fact have had a fantastic time doing so, and have learnt a fair amount along the way. No wonder my blog posts have been few and far between this term! Once again, I'm at a point where I have space to reflect and as I move into a new phase of life I am keen to have a record of all that I achieved this term. I've found it really useful to be able to look back at my posts since I began as a record of both my learning and achievement - each post triggering new ideas and alternative approaches to current work/projects.

Much of the work listed deserves individual posts and I will endeavour to do that over the next few weeks but in the meantime, a few quick updates!

The Brighter Sound Practitioner Network - which had its own post in April, is developing nicely! We had a follow up meeting in July to consolidate the network's identity and plan the route forward as the message about the network is sent out to schools... a dedicated website/blog is due to appear very soon and the first round of flyers have been distributed!

Second - It turned out to be a wonderful experience being 'a hummer' for the sound installation 'Taken' at Clitheroe Castle. Initially it was a very moving experience as it was about connecting/communicating with music at the point where words are not enough. It was also slightly daunting when I realised that my conversation with the composer, Ailis Ni Riann, which had been quite personal was to be part the documentation around the piece's creation viewed by the public; and it was great to finally hear the piece at it's launch event in June before taking part in an interview for Woman's Hour on Radio 4 - what a coo for Ailis, Mid Pennine Arts and the partners of the Contemporary Heritage programme! I'm looking forward to delivering a related workshop with Julie Miles for MPA in the next few weeks.

And third of the brief references is my wedding! Phil and I had a wonderful time but the preparation was no small undertaking! All in all a fab term!



Monday, 6 June 2011

Hurray for Social Networking Sites and Creative Procrastination!



Its been a while since I last blogged - combination of factors, involving busy-ness, lack of something tangible to say and also an awareness that it has been a difficult time for many of my colleagues within Curious Minds and its wider network who have been grieving the loss of Chris May - a significant leader within culture and education across the North West which has left myself and I suspect many others, simply lost for words.

So - why hurray for Social Networking Sites? - well first of all it has been a space for significant support and connection throughout the last few weeks but also it greatly improved the weekend just gone! As a direct result of posts from a variety of people I had the information and enthusiasm to get out of the house in my 'down time' and go to three very inspiring and diverse events:

1 - Friday evening was a launch event for GMMAZ, Brighter Sound's first album, Living To Our Habitat - a really great example of youth music and creativity!
2 - Squeezed into Saturday morning a quick visit to Manchester Art Gallery to catch the end of the exhibition by Anish Kapoor: Flashback before a long but enjoyable day of shopping and dress fittings (planned long before the urgent gallery visit!)


(Sitting on the steps of the gallery with my Dad before it opened for the day!)

3 - Dashed from a full day of selling jams and chutney's for our friends at Reedy's Naturally to the Lake District to experience the awesome Harmonic Fields organised by Lakes Alive!

Its only a very rough cut on a basic mini cam but this explains far better than I can just how awesome Harmonic Fields was - and why it was worth every second of driving behind slow slow drivers on a Sunday evening without much idea of why or what we'd experience!....



Its difficult to discuss my experiences of each of these events because they were simply beyond words but all hugely inspiring. Simply to say that I am now ever more keen to share those experiences - by trying to build connections between such high quality youth work and my local community and my realisation that every school should have a 'harmonic field' and yard of experiential sculpture inspired by Anish Kapoor and other greats! In a time of looming evaluation deadlines it feels all the more important to celebrate our inspiration and reason for starting it all in the first place!


PS. Thanks to Phil for the photos!

Saturday, 16 April 2011

Product of play...

Show your working...

How often do adults show their working? i.e. the process which leads to a complete product/ successful project etc.

Increasingly creative practitioners are asked to reflect on their processes which lead to products (without necessarily showing it, although documentation often happens for other reasons) but in primary schools children are regularly asked to show their work. Why?... its scary!

I suppose that is the aspect which I find most engaging about this whole blogging thing- I'm creating time outside of 'drive time' to explore my own 'workings' and challenging myself to go further in my thinking and delivering; but I also have the opportunity to understand how other people reach their 'products' through their own blogs which is fascinating. This morning I have been playing with photoshop - just because I can!.. its fun to work out how to do knew things and its also a way to enjoy creating new pictures out of old favourites...

original photo from Vienna...



I'll be honest - I quite like this photo and have no problem sharing it. I'm no photographer so any photos I like I can be proud of!...

so now I play with the image...



Not incredibly original - mixture of Van Gogh style colours and Warhol style 'posterizing' but still fun to explore. I've wanted to play like this ever since I saw the 'Refuge' exhibition by Yasmin Yaqub at Mid Pennine Gallery a few years ago. - it was a truly inspiring exhibition (still inspiring me five years later) which led to a great education project working with Daksha Patel and Lord Street Primary School but its only now I have got round to playing in my own time!

Another one?...



This time I've explored more 'realistic' colours but still using a fairly limited palette - not unlike the poster paints a child might use. You may notice that there's more detail this time though - its a smidge more finished. I've zoomed in to fill in smaller elements of colour as well as taking the time to separate the person and give him his own colour so he doesn't get lost in the background. As I started to consider sharing these images on my blog I couldn't help but try and make it a little bit better!

So - I guess that's why we endlessly encourage children to show their work. If its ok to challenge children in this way though - surely we should at least recognise that its not always comfortable to share our work, make sure that there is a genuine reason and a safe place for doing so - and maybe challenge ourselves in the same way from time to time! Perhaps adult work should be alongside children's as we look along the walls full of displayed work in schools?!

PS... a final image from the 'Inspired by Refuge' project which I referred to earlier. Where digital media merged back into 'real/tangible?' visual art using collage of photographs, newspaper cuttings, charcoal and pencil drawings...

Wednesday, 6 April 2011

Time to create!

It seems obvious but the temptation as a practitioner is to fill up the diary till you can't see the space from one term to the next but having finished work at Sing Up last week I am LOVING the space to reflect, relate - with impromptu coffees and lunches - well overdue chat that leads to creativity and as a result I can't help but buzz with excitement about the work ahead next term.

Everything needs more planning of course but for once it is good to let ideas germinate - here are some of the things I'm hoping to develop next term...

1. Tauheedul - last term to really consolidate the last two years of learning and build resources which the school can progress with next year. Currently writing an arrangement of Yusuf Islam's Nasheed - I look, I see for that. Tempted to see if we can link into next project at Clitheroe...

2. Contemporary Heritage at Clitheroe Castle - Mid Pennine Arts have commisioned Ailis Ni Riain to create a sound installation using humming and I'm quite excited to be one of the twentyish people who will be recorded humming this Friday. Depending on the outcome I'm really keen t1o then explore how school groups can engage in the installation and create their own humming composition!

3. Marsden Primary - continuing to develop my learning around South Asian song and building it into collaborative storytelling process with Jackie Harris, school staff and hopefully others! This will involve lots of fabric, a labyrinth with space for children to experience individual time in a reflective space , variety of musical instruments, possibly a tea party and hopefully a trip to the beach!

4. Early Years Network - facilitating training days and residency observations for MusicLeaderNW who have developed a Workforce Development project to accompany the Music Boxes Project which is all part of and funded by MIF.

5. Brighter Sound Primary Network - shared some of the exploration in blog yesterday but is full of potential!

6. Springhill Primary - collaborating with Thea Soltau to devise celebration of all things Brazil! - looks as though it will involve a samba/celebratory dance/festival 'type thing' which has stories inserted exploring rainforests/ the uncontacted tribes of Brazil/ traditional tales from the connecting cultures etc...

...just a taster - there's also ongoing Creative Agent work (am really enjoying challenging myself to find more creative ways of evaluating with people in response to pod conversations), Sing Up legacy and the minor matter of a wedding to prepare for - which has numerous exciting creative projects connected - mostly textile and sculpture inspired rather than music! What was that about time to create?!! - had better get on and make the most of it!

Tuesday, 5 April 2011

Stronger than the sum of our parts...

Had a fab day today - was working on behalf of Brighter Sound to facilitate the development of a practitioner network.

Began with mapping exercise -


- literally! (may have got a bit carried away with my flag making preparation!) We also mapped our current interests/experience mapping common ground and celebrating diversity with the obligatory post-its and flip chart categories!



Following that I dared to facilitate an open forum style session where people brought their ideas and interests forward to develop conversation and explore potential for using those within the network and primary school delivery. Have never tried this before and I'll be honest it's quite scary to trust the concept of people bringing things forward but since witnessing the amazing process and results which came out of the Vocal Force: Sangeet project which was facilitated in this way by Beccy Owen, I was convinced it was worth a try!


I remain convinced - really inspiring and a rich pool of ideas and skills to draw upon. Really looking forward to seeing how the network evolves from here. And we managed to fit some singing in too! - Songs from the Baka tribe and Gospel roots.

Sunday, 20 February 2011

David Nash at Yorkshire Sculpture Park

Having watched the excellent documentary on Nash, I felt compelled to revisit his exhibition at YSP before it closes on Friday. It is just sooo lovely -and there is so much to see! I've visited a few times over the year and absolutely love the deep connection between his art work and the nature from which he borrows his materials.

Following the documentary I was considerably more aware of the text dotted around to accompany the exhibition. I tend to enjoy responding to art without text and save reading about it till after the visit. The language around his artwork is so poetic and beautifully presented I thought I'd share a couple of gems as they can easily feed into ideas for education, reflection on practice etc...



Doesn't that echo various models of evaluation and reflective practice?! (not least Paulo Freire's 'Pedagogy of the Oppressed' from which so many ideas around co-constructed learning have been developed)...



... I feel a song growing out of that one.....



...and that is just fabulous! My Grandad used to teach carpentry and loved exploring all the different types of wood and creating things (mostly furniture and functional pieces but also creating for the sake of it). He would really have liked this 'kind of art'! - and he would have let Mr Nash know that he approved!

Maths, maths everywhere!

This is an aptly named project as there is a trend in Lancashire, if not nationally, where schools all seem to have realised that its time to become more creative in their approaches to delivering numeracy. I'm hoping that this is because the learning from the recent mass of literacy based projects has been successfully disseminated, making those approaches the norm in every classroom!

Anyway, this year I find myself working in three Creative Partnerships enquiry schools all exploring numeracy. I love the diversity of my job so to be honest, working in the same area of enquiry in three schools didn't thrill me at first. Lesson learnt though - they're all going to be completely different and really I should have known that from previous experience! Context is everything!

The first project got underway last week with a fabulous launch day, during which 70 year 3 pupils from a large urban primary school visited Reedy's Naturally, where they found out about business enterprise and food production - and it was fantastic to see the children enjoying themselves so much at the same time as realising just how integral maths is to daily life when running a business. There were three areas of the unit to explore - each with different activities and aspects of numeracy:

In the kitchen they made jam tarts!
Numeracy links: multiplication/doubling: of recipe ingredients, measuring and weighing...



In the warehouse they explored packaging and logistics of transporting jam jars and boxes throughout the north west. This included packing as many different sized boxes into an estate car as possible without crushing any!
Numeracy links: Estimating and problem solving, counting, exploring shapes and space, multiplication (3 and 4 times tables)...



In the office they dealt with orders - receiving phone calls and emails from mystery customers (you'll never guess who got that job!)
Numeracy links: data handling, subtraction, problem solving...



In the next few weeks Lisa be going into school to help the pupils research and design their own jam which they will then sell throughout the school. They will also be working with a musician who will be helping them to compose a jingle to advertise the jam as well as exploring the links between music and maths. As if that's not enough, they'll also spend time with a dancer and visual artist exploring triangular connections between numeracy, topic based learning (Birds and the Ancient Greeks respectively) and the practitioner's art form. As always, this project is closely centred around building teaching skills and confidence so that these techniques and approaches can be sustainable in the future.
Numeracy links: fractions, multiplication, sequencing, measurement, shape and tessellation

The numeracy links are not exhaustive but give you a flavour of the ways in which the project will highlight the value and necessity of understanding and using numeracy in daily life. In additions to numeracy, this project will offer an insight into business and enterprise as well as a variety of different creative career paths which may well inspire the children into the future!

Wednesday, 16 February 2011

Beyond the core subjects...

Reading daily updates from twitter and facebook its clear that there are a huge number of people outraged by the endless cuts and government games, playing with peoples' lives and there is an equally huge number of calls for support which rightly deserve our attention.

I find myself torn - as someone utterly committed to the arts and education - but I equally understand the basic needs of a decent nhs etc. I've also found myself lobbying to save the forests - which seems ludicrous that one should need to argue to keep a landscape that would take hundreds of years or more to replace for the pitiful one-off sum of £250 million. (Looks like we might have won that one!)

This week I have spent many hours at a hospital visiting my Grandma who is deeply ill, having suffered from a massive stroke. The hospital is full and staff are clearly very busy - one patient sat on the ward waiting to go home having had a comfortable chair and table placed in the middle of the ward because her bed was needed before she could go home. Actually, she was treated with immense respect and seemed quite happy to sit and have another meal brought to her and the company of other patients, so whilst I realise its by no means ideal - I don't want to play the outraged writer that the newspapers have been playing. The staff have been fantastic.

In such times, you can't help but wonder why we bother with all the other 'things' though. And for once my Grandma has shown me why - she is unable to speak and hardly awake, so I sat with her and sang to her. I started with some simple lullaby's and gentle Indian songs which I have been using most recently in schools. She took my hand and began to move to show me she was there. Then I moved on to South Pacific songs - we spent a lot of hours watching that when I used to visit her as a child - and I promise you she was tapping her toes! That hour was one of the most connected hours I've ever had with her and was healing for both of us.

...so why do we bother? Because the arts go far beyond any literacy or numeracy. Yes they're important - but ways of expressing ourselves and relating to others are central to who we are. I'm privileged to have the confidence (or undeniable need) to sing in the middle of a ward when words aren't enough, but my work for Sing Up and Creative Partnerships is all about making these approaches (not just singing or music) the norm - or at least a possibility; so that people are emotionally literate and able to draw upon a culture which copes with and expresses life and death situations.

Sunday, 6 February 2011

Searching for a Song

Well actually I'm only searching for the lyrics at the moment - my intention is to set a poem or some words to music for my wedding ceremony - sort of a gift to Phil. Problem is I can't quite find the words even when sifting through other peoples'!

Anyway, thought I'd share some that I quite like so far - may end up borrowing them and adapting them for this context.

Close close all night
the lovers keep.
They turn together
in their sleep,

close as two pages
in a book
that read each other
in the dark.

Each knows all
the other knows,
learned by heart
from head to toes.

— Elizabeth Bishop

Really quite like this but not sure if there is enough for a song!


If ever two were one, then surely we.
If ever man were lov'd by wife, then thee;
If ever wife was happy in a man,
Compare with me ye women if you can.

I prize thy love more than whole Mines of gold,
Or all the riches that the East doth hold.
My love is such that Rivers cannot quench,
Nor ought but love from thee, give recompence.

Thy love is such I can no way repay,
The heavens reward thee manifold I pray.
Then while we live, in love let's so persever,
That when we live no more, we may live ever.

- Anne Bradstreet

(Thought I might borrow this outline/concept and make it a bit more contemporary.)

How do I love thee? Let me count the ways.
I love thee to the depth and breadth and height
My soul can reach, when feeling out of sight
For the ends of Being and ideal Grace.
I love thee to the level of everyday's
Most quiet need, by sun and candle-light.
I love thee freely, as men strive for Right;
I love thee purely, as they turn from Praise.
I love thee with a passion put to use
In my old griefs, and with my childhood's faith.
I love thee with a love I seemed to lose
With my lost saints, --- I love thee with the breath,
Smiles, tears, of all my life! --- and, if God choose,
I shall but love thee better after death.

- Elizabeth Barret Browning

(Again needs not quite right but like the outline)

Stay near to me and I’ll stay near to you -
As near as you are dear to me will do,
Near as the rainbow to the rain,
The west wind to the windowpane,
As fire to the hearth, as dawn to dew.

Stay true to me and I’ll stay true to you -
As true as you are new to me will do,
New as the rainbow in the spray,
Utterly new in every way,
New in the way that what you say is true.

Stay near to me, stay true to me. I’ll stay
As near, as true to you as heart could pray.
Heart never hoped that one might be
Half of the things you are to me -
The dawn, the fire, the rainbow and the day.

- James Fenton

(This could be the one...but Phil not too keen on it so back to drawing board!)


Will let you know how my search continues and with any luck upload the song on completion! (Although that might have to wait for it's premier in July.)

Saturday, 5 February 2011

Making Music in a Muslim High School

It’s working! After two years of developing a Nasheed Curriculum in a school that used to consider background music on a documentary as ‘collateral damage’, I have been invited, on their recommendation, into a second Islamic High School to look into developing something similar.

In the first year, we tiptoed gently - delivering a curriculum almost entirely around Nasheeds (religious songs), and without any use of instruments, recorded or live; with the exception of a Duff, an untuned drum for accompanying song. This meant that we had to be very careful about which Nasheeds we used and then how we used them to deliver the various aspects of the music curriculum, which, were required of a government funded school.

Nevertheless a team of three musicians went in every two weeks to deliver a curriculum of singing and performing, theory and notation and composition. We began by building a repertoire of Nasheeds and enjoying group singing and harmonies:


Towards the end, pupils were writing and performing their own Nasheeds around topics such as Ramadan and their identity as being Muslim teenagers, mostly born in Britain.

My part was exploring Ramadan Nasheeds so we did this by listening to a few:



For the purposes of this discussion it was ok to use these tracks but we didn’t linger on the fact that there was instrumental accompaniment for two of them. This in itself was fairly ground breaking and only possible after two terms of building positive relationships so that we were trusted not to be subversive. Mostly we used the first Nasheed, which was unaccompanied, and the pupils really enjoyed singing that as part of the process.

From there we were able to appraise the Nasheeds and explore the purposes, audience and content of these before exploring how to go about writing our own. At the same time I introduced the musical concept of ostinato; a simple way of building texture in song through repeating musical patterns; and we used that as the main building block for composing the Nasheeds.

I have some recordings of what grew out of the process – and am really quite proud of them given the space of time we had to develop and perform them. I just need to check if it is ok for me to put them on the blog – so fingers crossed I’ll put them up later.

Over all this was a hugely successful year – building a culture of singing and an acceptance of the need for a music curriculum. Its main limitation was that the work had been almost entirely delivered by a team of external musicians, making the work unsustainable long term. Therefore, I was absolutely delighted and honoured, when I was invited to return the following year to work alongside one of the teachers to build a curriculum, which, she would eventually be confident to deliver with my initial support.

Thursday, 3 February 2011

Who gets the best jobs?

A BBC documentary in which Richard Bilton investigates how class continues to restrict access to professions and well-paid careers to a small, exclusive pool of the well-connected in modern Britain.

Having watched this programme on iplayer, I’m filled by a mixture of conflicting thoughts. For the purposes of this blog, I am leaving the question of what a ‘best job’ looks like for another time.

Firstly, I have to say, I am not hugely surprised by its findings and I doubt many people would be. However, it has given me an opportunity to think about my own experience of education and work and how I have made choices over the last few years to further that experience.

First of all, I have clearly been very fortunate throughout my early years to have been in a family which understood the value of education, even though that led to what seemed at times, a never ending, financial struggle for my parents to provide the best education they could for both my brothers and myself. I was also fortunate to have been going to secondary school, just before the ‘assisted place’ scheme was scrapped at private schools – not something my parents voted for but they realised that whilst it was there, it was worth using.

So, from the age of four, my parents paid for me to have the various dance lessons and individual music lessons (with gratefully received sponsorship from my Grandma); something that none of my classmates did and for which I was bullied as a result. And then from the age of 11 – 18 I went to the prestigious Manchester High School for Girls – again the only girl from my junior school to apply, never mind get a place.

As the programme highlights, from that point on had a significant advantage to my junior school classmates. Never one for conforming I was dragged through the process of secondary schooling, achieving almost against my will as a stroppy teenager because in ‘that sort of school’ even the failures are achieving results within the top few percent of the country! I made a few good friends, but never felt like I quite belonged there; partly to do with the amount of wealth I was surrounded by, but also an ideology geared towards ‘academic success’ and getting the ‘best jobs’.

I didn’t want to be a doctor or lawyer, or go to Oxbridge. In fact, worst of all, I didn’t know what I wanted! I just knew that I liked creating things – I loved music and art lessons, and history – when we were finally encouraged to think critically about the information we gathered in order to create an argument rather than learn banal facts that had no current impact on peoples’ lives. Unfortunately, as you may read here, I wasn’t brilliant at turning my critical thinking in a coherent written essay. I also discovered things about my personality through those ‘end of term’ days when we were put into groups of different ages across the school and given a variety of different tasks which challenged our problem solving, team work and creativity: This is where I achieved! Teachers noticed, and were kind enough to let me know, that I was very good at group work – communicating ideas, supporting team members and leading people when necessary with considerable patience and enthusiasm.

I have little way of knowing whether I would have had that space to discover those skills in a mainstream secondary school, or whether I would have felt like such a failure at the same time – as one who was always at the bottom of the class but had no idea what that meant nationally. However, I can be fairly certain that by being at that school, I was able to go on to York University and discover my calling as a musician and educationalist. I don’t believe that as a teenager I personally had the drive or determination I would have needed to achieve academically in a less competitive school such as the one my friends from junior school went to, although I did meet some of them again at University showing that it was possible for some people.

Ironically, I only discovered that ‘drive’ during my MA year when I finally saw the possibilities of education through non-formal practice: either working in the community or taking non-formal delivery into the classroom. From thereon, I feel proud of my achievements - working very hard to fund my further education, build experience through voluntary and badly paid placements and making the most of every opportunity: reflecting on good and bad experiences, observing other people, forcing myself to ‘network’ and present myself with confidence and enthusiasm even on the days I didn’t feel like it!

And all of this has led me to a job that I love – one that is about turning round this trend from which I have benefitted but chosen to use in a different way. My job is about giving those opportunities for children to discover themselves; their personality, unique skills and creativity, which can encourage them to achieve the lives they choose and aspire to. And my ‘best job’ is about making this possible for children in the most deprived areas of the North West, throughout areas of Manchester and Lancashire where I have lived and belonged.

The programme suggests that these children have even less possibility of achieving those ‘best jobs’ even than from when I was at junior school. And whilst I don’t doubt there is a worrying trend in social mobility I work daily in a sector geared towards skilling and inspiring children and against the odds of funding and political support I am privileged to see those moments when children discover a sense of themselves and their skills which are exactly the moments which have led me to be the me I am now.

I continue to hope that there are enough people working against the odds, and that the evidence from Sing Up, Creative Partnerships and many other such programmes of work is now too considerable to be ignored for any significant length of time. Let’s hope that either the government sees sense, or the political climate changes before all of this work is undermined by considerable damage to funding streams and/or the infrastructures enabling this work, which have taken years to develop.