Sunday, 20 February 2011

David Nash at Yorkshire Sculpture Park

Having watched the excellent documentary on Nash, I felt compelled to revisit his exhibition at YSP before it closes on Friday. It is just sooo lovely -and there is so much to see! I've visited a few times over the year and absolutely love the deep connection between his art work and the nature from which he borrows his materials.

Following the documentary I was considerably more aware of the text dotted around to accompany the exhibition. I tend to enjoy responding to art without text and save reading about it till after the visit. The language around his artwork is so poetic and beautifully presented I thought I'd share a couple of gems as they can easily feed into ideas for education, reflection on practice etc...



Doesn't that echo various models of evaluation and reflective practice?! (not least Paulo Freire's 'Pedagogy of the Oppressed' from which so many ideas around co-constructed learning have been developed)...



... I feel a song growing out of that one.....



...and that is just fabulous! My Grandad used to teach carpentry and loved exploring all the different types of wood and creating things (mostly furniture and functional pieces but also creating for the sake of it). He would really have liked this 'kind of art'! - and he would have let Mr Nash know that he approved!

Maths, maths everywhere!

This is an aptly named project as there is a trend in Lancashire, if not nationally, where schools all seem to have realised that its time to become more creative in their approaches to delivering numeracy. I'm hoping that this is because the learning from the recent mass of literacy based projects has been successfully disseminated, making those approaches the norm in every classroom!

Anyway, this year I find myself working in three Creative Partnerships enquiry schools all exploring numeracy. I love the diversity of my job so to be honest, working in the same area of enquiry in three schools didn't thrill me at first. Lesson learnt though - they're all going to be completely different and really I should have known that from previous experience! Context is everything!

The first project got underway last week with a fabulous launch day, during which 70 year 3 pupils from a large urban primary school visited Reedy's Naturally, where they found out about business enterprise and food production - and it was fantastic to see the children enjoying themselves so much at the same time as realising just how integral maths is to daily life when running a business. There were three areas of the unit to explore - each with different activities and aspects of numeracy:

In the kitchen they made jam tarts!
Numeracy links: multiplication/doubling: of recipe ingredients, measuring and weighing...



In the warehouse they explored packaging and logistics of transporting jam jars and boxes throughout the north west. This included packing as many different sized boxes into an estate car as possible without crushing any!
Numeracy links: Estimating and problem solving, counting, exploring shapes and space, multiplication (3 and 4 times tables)...



In the office they dealt with orders - receiving phone calls and emails from mystery customers (you'll never guess who got that job!)
Numeracy links: data handling, subtraction, problem solving...



In the next few weeks Lisa be going into school to help the pupils research and design their own jam which they will then sell throughout the school. They will also be working with a musician who will be helping them to compose a jingle to advertise the jam as well as exploring the links between music and maths. As if that's not enough, they'll also spend time with a dancer and visual artist exploring triangular connections between numeracy, topic based learning (Birds and the Ancient Greeks respectively) and the practitioner's art form. As always, this project is closely centred around building teaching skills and confidence so that these techniques and approaches can be sustainable in the future.
Numeracy links: fractions, multiplication, sequencing, measurement, shape and tessellation

The numeracy links are not exhaustive but give you a flavour of the ways in which the project will highlight the value and necessity of understanding and using numeracy in daily life. In additions to numeracy, this project will offer an insight into business and enterprise as well as a variety of different creative career paths which may well inspire the children into the future!

Wednesday, 16 February 2011

Beyond the core subjects...

Reading daily updates from twitter and facebook its clear that there are a huge number of people outraged by the endless cuts and government games, playing with peoples' lives and there is an equally huge number of calls for support which rightly deserve our attention.

I find myself torn - as someone utterly committed to the arts and education - but I equally understand the basic needs of a decent nhs etc. I've also found myself lobbying to save the forests - which seems ludicrous that one should need to argue to keep a landscape that would take hundreds of years or more to replace for the pitiful one-off sum of £250 million. (Looks like we might have won that one!)

This week I have spent many hours at a hospital visiting my Grandma who is deeply ill, having suffered from a massive stroke. The hospital is full and staff are clearly very busy - one patient sat on the ward waiting to go home having had a comfortable chair and table placed in the middle of the ward because her bed was needed before she could go home. Actually, she was treated with immense respect and seemed quite happy to sit and have another meal brought to her and the company of other patients, so whilst I realise its by no means ideal - I don't want to play the outraged writer that the newspapers have been playing. The staff have been fantastic.

In such times, you can't help but wonder why we bother with all the other 'things' though. And for once my Grandma has shown me why - she is unable to speak and hardly awake, so I sat with her and sang to her. I started with some simple lullaby's and gentle Indian songs which I have been using most recently in schools. She took my hand and began to move to show me she was there. Then I moved on to South Pacific songs - we spent a lot of hours watching that when I used to visit her as a child - and I promise you she was tapping her toes! That hour was one of the most connected hours I've ever had with her and was healing for both of us.

...so why do we bother? Because the arts go far beyond any literacy or numeracy. Yes they're important - but ways of expressing ourselves and relating to others are central to who we are. I'm privileged to have the confidence (or undeniable need) to sing in the middle of a ward when words aren't enough, but my work for Sing Up and Creative Partnerships is all about making these approaches (not just singing or music) the norm - or at least a possibility; so that people are emotionally literate and able to draw upon a culture which copes with and expresses life and death situations.

Sunday, 6 February 2011

Searching for a Song

Well actually I'm only searching for the lyrics at the moment - my intention is to set a poem or some words to music for my wedding ceremony - sort of a gift to Phil. Problem is I can't quite find the words even when sifting through other peoples'!

Anyway, thought I'd share some that I quite like so far - may end up borrowing them and adapting them for this context.

Close close all night
the lovers keep.
They turn together
in their sleep,

close as two pages
in a book
that read each other
in the dark.

Each knows all
the other knows,
learned by heart
from head to toes.

— Elizabeth Bishop

Really quite like this but not sure if there is enough for a song!


If ever two were one, then surely we.
If ever man were lov'd by wife, then thee;
If ever wife was happy in a man,
Compare with me ye women if you can.

I prize thy love more than whole Mines of gold,
Or all the riches that the East doth hold.
My love is such that Rivers cannot quench,
Nor ought but love from thee, give recompence.

Thy love is such I can no way repay,
The heavens reward thee manifold I pray.
Then while we live, in love let's so persever,
That when we live no more, we may live ever.

- Anne Bradstreet

(Thought I might borrow this outline/concept and make it a bit more contemporary.)

How do I love thee? Let me count the ways.
I love thee to the depth and breadth and height
My soul can reach, when feeling out of sight
For the ends of Being and ideal Grace.
I love thee to the level of everyday's
Most quiet need, by sun and candle-light.
I love thee freely, as men strive for Right;
I love thee purely, as they turn from Praise.
I love thee with a passion put to use
In my old griefs, and with my childhood's faith.
I love thee with a love I seemed to lose
With my lost saints, --- I love thee with the breath,
Smiles, tears, of all my life! --- and, if God choose,
I shall but love thee better after death.

- Elizabeth Barret Browning

(Again needs not quite right but like the outline)

Stay near to me and I’ll stay near to you -
As near as you are dear to me will do,
Near as the rainbow to the rain,
The west wind to the windowpane,
As fire to the hearth, as dawn to dew.

Stay true to me and I’ll stay true to you -
As true as you are new to me will do,
New as the rainbow in the spray,
Utterly new in every way,
New in the way that what you say is true.

Stay near to me, stay true to me. I’ll stay
As near, as true to you as heart could pray.
Heart never hoped that one might be
Half of the things you are to me -
The dawn, the fire, the rainbow and the day.

- James Fenton

(This could be the one...but Phil not too keen on it so back to drawing board!)


Will let you know how my search continues and with any luck upload the song on completion! (Although that might have to wait for it's premier in July.)

Saturday, 5 February 2011

Making Music in a Muslim High School

It’s working! After two years of developing a Nasheed Curriculum in a school that used to consider background music on a documentary as ‘collateral damage’, I have been invited, on their recommendation, into a second Islamic High School to look into developing something similar.

In the first year, we tiptoed gently - delivering a curriculum almost entirely around Nasheeds (religious songs), and without any use of instruments, recorded or live; with the exception of a Duff, an untuned drum for accompanying song. This meant that we had to be very careful about which Nasheeds we used and then how we used them to deliver the various aspects of the music curriculum, which, were required of a government funded school.

Nevertheless a team of three musicians went in every two weeks to deliver a curriculum of singing and performing, theory and notation and composition. We began by building a repertoire of Nasheeds and enjoying group singing and harmonies:


Towards the end, pupils were writing and performing their own Nasheeds around topics such as Ramadan and their identity as being Muslim teenagers, mostly born in Britain.

My part was exploring Ramadan Nasheeds so we did this by listening to a few:



For the purposes of this discussion it was ok to use these tracks but we didn’t linger on the fact that there was instrumental accompaniment for two of them. This in itself was fairly ground breaking and only possible after two terms of building positive relationships so that we were trusted not to be subversive. Mostly we used the first Nasheed, which was unaccompanied, and the pupils really enjoyed singing that as part of the process.

From there we were able to appraise the Nasheeds and explore the purposes, audience and content of these before exploring how to go about writing our own. At the same time I introduced the musical concept of ostinato; a simple way of building texture in song through repeating musical patterns; and we used that as the main building block for composing the Nasheeds.

I have some recordings of what grew out of the process – and am really quite proud of them given the space of time we had to develop and perform them. I just need to check if it is ok for me to put them on the blog – so fingers crossed I’ll put them up later.

Over all this was a hugely successful year – building a culture of singing and an acceptance of the need for a music curriculum. Its main limitation was that the work had been almost entirely delivered by a team of external musicians, making the work unsustainable long term. Therefore, I was absolutely delighted and honoured, when I was invited to return the following year to work alongside one of the teachers to build a curriculum, which, she would eventually be confident to deliver with my initial support.

Thursday, 3 February 2011

Who gets the best jobs?

A BBC documentary in which Richard Bilton investigates how class continues to restrict access to professions and well-paid careers to a small, exclusive pool of the well-connected in modern Britain.

Having watched this programme on iplayer, I’m filled by a mixture of conflicting thoughts. For the purposes of this blog, I am leaving the question of what a ‘best job’ looks like for another time.

Firstly, I have to say, I am not hugely surprised by its findings and I doubt many people would be. However, it has given me an opportunity to think about my own experience of education and work and how I have made choices over the last few years to further that experience.

First of all, I have clearly been very fortunate throughout my early years to have been in a family which understood the value of education, even though that led to what seemed at times, a never ending, financial struggle for my parents to provide the best education they could for both my brothers and myself. I was also fortunate to have been going to secondary school, just before the ‘assisted place’ scheme was scrapped at private schools – not something my parents voted for but they realised that whilst it was there, it was worth using.

So, from the age of four, my parents paid for me to have the various dance lessons and individual music lessons (with gratefully received sponsorship from my Grandma); something that none of my classmates did and for which I was bullied as a result. And then from the age of 11 – 18 I went to the prestigious Manchester High School for Girls – again the only girl from my junior school to apply, never mind get a place.

As the programme highlights, from that point on had a significant advantage to my junior school classmates. Never one for conforming I was dragged through the process of secondary schooling, achieving almost against my will as a stroppy teenager because in ‘that sort of school’ even the failures are achieving results within the top few percent of the country! I made a few good friends, but never felt like I quite belonged there; partly to do with the amount of wealth I was surrounded by, but also an ideology geared towards ‘academic success’ and getting the ‘best jobs’.

I didn’t want to be a doctor or lawyer, or go to Oxbridge. In fact, worst of all, I didn’t know what I wanted! I just knew that I liked creating things – I loved music and art lessons, and history – when we were finally encouraged to think critically about the information we gathered in order to create an argument rather than learn banal facts that had no current impact on peoples’ lives. Unfortunately, as you may read here, I wasn’t brilliant at turning my critical thinking in a coherent written essay. I also discovered things about my personality through those ‘end of term’ days when we were put into groups of different ages across the school and given a variety of different tasks which challenged our problem solving, team work and creativity: This is where I achieved! Teachers noticed, and were kind enough to let me know, that I was very good at group work – communicating ideas, supporting team members and leading people when necessary with considerable patience and enthusiasm.

I have little way of knowing whether I would have had that space to discover those skills in a mainstream secondary school, or whether I would have felt like such a failure at the same time – as one who was always at the bottom of the class but had no idea what that meant nationally. However, I can be fairly certain that by being at that school, I was able to go on to York University and discover my calling as a musician and educationalist. I don’t believe that as a teenager I personally had the drive or determination I would have needed to achieve academically in a less competitive school such as the one my friends from junior school went to, although I did meet some of them again at University showing that it was possible for some people.

Ironically, I only discovered that ‘drive’ during my MA year when I finally saw the possibilities of education through non-formal practice: either working in the community or taking non-formal delivery into the classroom. From thereon, I feel proud of my achievements - working very hard to fund my further education, build experience through voluntary and badly paid placements and making the most of every opportunity: reflecting on good and bad experiences, observing other people, forcing myself to ‘network’ and present myself with confidence and enthusiasm even on the days I didn’t feel like it!

And all of this has led me to a job that I love – one that is about turning round this trend from which I have benefitted but chosen to use in a different way. My job is about giving those opportunities for children to discover themselves; their personality, unique skills and creativity, which can encourage them to achieve the lives they choose and aspire to. And my ‘best job’ is about making this possible for children in the most deprived areas of the North West, throughout areas of Manchester and Lancashire where I have lived and belonged.

The programme suggests that these children have even less possibility of achieving those ‘best jobs’ even than from when I was at junior school. And whilst I don’t doubt there is a worrying trend in social mobility I work daily in a sector geared towards skilling and inspiring children and against the odds of funding and political support I am privileged to see those moments when children discover a sense of themselves and their skills which are exactly the moments which have led me to be the me I am now.

I continue to hope that there are enough people working against the odds, and that the evidence from Sing Up, Creative Partnerships and many other such programmes of work is now too considerable to be ignored for any significant length of time. Let’s hope that either the government sees sense, or the political climate changes before all of this work is undermined by considerable damage to funding streams and/or the infrastructures enabling this work, which have taken years to develop.